While
rooting around for early tango recordings I came across Socrates
Figoli, the 'payador anarquista', the anarchist folksinger, a
recording said to be from 1906. It didn't strike me at the time that
it was extraordinary that his voice ever made it onto disc. I'm not
sure when recording started in Argentina, but his must have been one
of the very first Argentine recordings, and indeed one of the very
first recordings ever, if the date is correct, as mass-produced
recording anywhere hardly went back ten years then. & he was
presumably a political and social outsider.
I
also came across a modern recording of a 'tango anarquista', 'Guerra a
la Burguesía', written in 1901. It didn't
sound much like a tango to me, and I assumed 'tango' might also be
used in a Spanish (flamenco) sense, as a kind of song. If you search
YouTube for 'tango 1909' you come across several versions of the opus
165 n° 2, Tango, by the Spanish composer Albéniz (1860-1909), who
had been encouraged by his teacher to draw on Spanish folk and dance
music. There's also a 'tango' written by Joaquín Durán, a close
contemporary of Albéniz. I've read that there's not much connection
between the flamenco tango and Argentine tango – but I'm not sure
that holds if you go back to around 1900.
Anyway,
a 'tango anarquista' written in 1901. Perhaps it's no surprise that
there were 'anarquistas' in Argentina: they were fleeing Russia,
eastern Europe and the rest of Europe too, and where else for
refugees, political or otherwise to go than to Argentina? It was an
idealist movement: maybe in the new world workers could establish
ideal societies. The recent recording of the tango anarquista on
YouTube is illustrated by some fine black-and-white drawings by an
Italian anarquista refugee of the time. There are a number of studies
on the internet of the anarchist movement in Argentina, in Spanish.
It's plausible that the barrios from which tango emerged were those
where the anarquistas had settled. It's also plausible that 'tango'
was less clearly defined at the end of the 19th century.
1903, and the first performance of an arrangement of El Choclo by a
society orquesta in Buenos Aires seems to mark the emergence of tango
into wider society, where its growth was pushed along by the
development of the recording industry.
&
I remembered I'd read about another 'anarquista' recently: Andrés
Cepeda (1869-1910). It's here
– scroll down to 'The divine poet of the jailhouse'. A fascinating
story of a petty criminal, anarchist and poet who wrote most of his poems
in jail, songs which were set to music and recorded by his friends
Gardel and his accompanist, José Razzano. 'Of the first
fourteen recordings made by Gardel in 1912, five were authored by
Cepeda.' But his songs are love songs rather than political, and in
Cepeda's case this might be a complicated story.
No comments:
Post a Comment