Tuesday, 30 June 2009

Ricardo, very slowly

The story so far... I commented that I'd been taught to lean first from the torso, either forwards, sideways or backwards, and that then the free leg needs to follow. I posted some slomo of Luisito Ferraris just to check if what I'd been taught was actually how tango is danced: the torso-first movement is visible, but only just.

I then posted another video in which torso-first is very exaggerated. This led to an interesting comment from Tango en el Cielo that when Ricardo Vidort danced his stance inclined forwards – 'he really gives his upper body to her'. I checked out the YouTube clips of him, which reinforced my own memory (from video) of how he drove forwards with the upper body. Miraculously a new clip had appeared, filmed from very close by. Although this has limitations it means that it's much easier to see details. I hope Jessica Grumberg, his partner in this video, will excuse me for quoting a very brief extract from it in very slow motion. & I hope very much that she has more video like this.

video

The first few seconds shows just how upright his posture was. He's relaxed, joking, but there's no hint of round shoulders. The back is straight from the lower back upwards, the head high, which means the chest is naturally well out. The second and third few seconds show how far forwards he leaned when he led forwards. He leans so far forwards that when he steps forwards his foot is still more or less under his shoulders. His partner is in no doubt what is happening!

It's quite a simple dance, nothing elaborate, but gives the sense that he's creating the music rather than following it. I always get to know the music better by watching his dance to it. In the dance of Junior Cervilla & Rachel I feel the music is little more than a background beat: substitute a different piece of music and I think the dance would be much the same.

Anonymous, you asked about how the old dancers led; I hope this suggests an answer. It looks clearly as if the chest moves before the foot. As to dancing close with shorter partners, I've been taught never to bend down, always to keep upright. 'Let your partner reach up to you'. One short partner told me she really hates leaders bending over her.

3 comments:

Simba said...

Hola TC,

I believe it is a common mistake to concentrate on the foot moving forward. Really, you should pay attention to the foot pushing you forward. Use it to move your body forward, and the power will transmit through your chest. Let the free leg follow. Also applies in reverse, naturally. Just my two centavos.

And aye to the not leaning over her thing!

Tango commuter said...

Hola, Simba, and thanks for a very useful 'dos centavos'. I think that's a good description of what Ricardo is doing, and pushing with the grounded foot is much more dynamic than what I was taught about 'leaning'.

As to the height thing, I remember dancing with a partner who was so short she lifted her left arm straight up and just about reached behind my neck with her hand. We had a great connection and a memorable vals. It can be done.

Caroline said...

Hello TC,

Yes, the intention of walking is in the chest, not the feet.
During my beginner lesson, our teacher always stressed it a lot. And he was telling the leaders that if they were walking on the feet of the women it was because they didn't walk with their chest first and because of that the women didn't get the information on time to expand their leg back before the actual step.

For the height thing, I have been taught not to try to connect with the man's chest but instead with a lower position e.g the rib cage. That prevents the woman to be in a very uncomfortable position, totally stretch out, and the man to hunch over.