After seeing Ricardo Vidort's milonga in Rome, I started to look for other milongas from that generation... and remembered Ricardo Suarez, who was five years older than Ricardo Vidort and celebrated his 90th birthday a few weeks ago.
When I first watched him in Maipu 444 six or seven years ago I didn't know who he was: he certainly appeared to be the oldest dancer there, and yet didn't miss out many tandas. I kept watching him because he seemed to have an incredibly precise sense of the beat: he seemed more 'on the beat' than anyone else in a room full of some of the most experienced tangueros in Buenos Aires. Every time I've been there I've seen him at a milonga two or three evenings a week, dancing most tandas, dancing with old and young, dancing all evening.
His movements aren't big, but look very precise. Small movements doesn't mean movements without energy: his steps are absolutely decisive. That back-step has a sudden precision to it: you don't need to take a big back step to get the energy of the movement. As usual it's not what you do it's how you do it. Useful on crowded floors, and also useful if you want to keep dancing all night: no energy is wasted.
There have been a few recent videos related to his birthday, and several are milonga. The feeling that he's more 'on the beat' than anyone else is still there, and I assume that his partners are exactly with him, very precisely on the beat too. (There's nothing approximate about 'on the beat' in traditional Buenos Aires tango, as I've been reminded a few times while there.)
For some reason the 'embed' isn't working: the video is here. Abretango also has other videos of Ricardo's birthday celebrations.
Here's Ricardo and the late Enriquetta Kleinmann at Ricardo's 89th birthday last year, a well-lit and very clear video. (You have to fast forward to about 2:40 to get to the dance.) Same music: curious how similar Tati Caviglia and Enriquetta Kleinman are, both in height and dance, although I think Enriquetta looks more assured.
And to return to the 90th birthday: Ricardo Suarez dancing with Muma. Not a milonga, but a lovely tango. The film is mainly close up on upper body, and the movements of the dancers are very clear, and it's extraordinary just how much movement there is, up and down, side to side and round, little movements back and forth, like a conversation. It's not exaggerated, and it is precise. But when the camera does pull back... Muma is dancing barefoot! Wonderful. In conversation once, a 'porteña' deplored women wearing jeans to milongas: But, I said, just last night I saw Muma at Cachirulo in jeans! 'Ah! Well. Muma!' she replied. Muma can wear jeans to a milonga, and she can dance barefoot too. But that's Muma.
One thing clear in this clip: Muma and Ricardo actually look as if they are dancing together, and enjoy dancing together. Sad to say, that's not so with some of the other dancers visible. A pity they are surrounded with dancing that seems to lack this personal, interior absorption, lost to the world in each other for a few moments.