Regarding
Rubén Harymbat, Jantango kindly sent me a
link to her video of him last
November in
Lo de Celia: it's
on this page of Tango Chamuyo. Jantango
comments: 'See Rubén
dancing at a milonga. Milongueros dance best with others on the dance
floor.'
It
seems to be the only YouTube
clip
of Rubén
actually in a milonga, and
it's
a whole Canaro tanda, so
I
wanted
make
a
new post rather than leaving it buried in the comments.
It's
well
worth checking out. Demonstrations
might
give
a better view of what the dancers actually do, but clips of dance
in Buenos Aires
milongas give us a much better sense of the feel of social tango, which
is after all what matters.
It's
easy to understand the reluctance of dancers to be filmed in the
social dance, but clips like this are really the best way to
appreciate what tango is – apart from actually going there and
watching. There's nothing complicated, it's simple stuff but
it's done
with
absolute attention,
and
it looks great.
It's
also
a
pleasure to watch a floor that's not too crowded, and is
orderly
and
calm.
The
sensuality of the dance comes
across strongly in
this clip. Partly
the music, of course: early
Canaro
often suggests
a
slow, sensual dance.
Wildly
off the point, perhaps,
but after
watching this I went downstairs, where Radio
3 was on. More Wagner: it's a centenary. Not music I like, and there
was a
laboured interval
discussion about the
painful
conflicts between earthly and spiritual love. Perhaps
if
Wagner was really such
a genius at words, song and movement he would have invented tango,
and saved himself a lifetime of self-inflicted agony! It seemed to me that the
sensuality of tango is somewhere between the sublime and
the earthy: it's not an either/or, it's
both! A
middle way.
Tibetan
teachers told me that there's nothing wrong in enjoyment: it's
grasping that creates suffering. So following
their advice I
continue to enjoy tango, and try not to be too attached (it's
tough).
Leave
the conflicts of earthly and spiritual love to the
imagination of others!
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