Sunday, 22 November 2009
Geraldin Rojas and Ezequiel Paludi at Carablanca Milonga, London 20/11/09
Here's the third of the set of four dances. There's also one, two and four.
Outside videos, I'd never seen Geraldin and Ezekiel, and I've tended to watch her from her days with Javier. But of course I wanted to video the event, which meant ignoring it and juggling tiny figures on a tiny screen. Watching the results a day later, I'm really impressed. They dance a display tango, a kind of stage tango, but they bring to it a lot of what I think of as defining characteristics of Argentine social tango. First, the smoothness. There's always a mismatch: from the waist down all is activity, which you'd never suspect if you just watched from the waist up. (Read into that what you like, but that's how it looks.) There also seemed to be a very real emotional content. It wasn't fireworks just for effect, or to show that they can do fireworks: it seemed to be a tender and passionate dialogue. Moreover, dancing close embrace seemed very much their default position: it looked very comfortable for them. In other words, for all the high kicks and elaborate turns, it didn't look as if salon tango was far away.
Before their performance the floor was crowded with what looked like would-be stage dancers; after the performance the dancing looked unusually calm, and rather good, for a short while. Perhaps that summed up their impact: nobody wants to try to imitate dance that good.
& I enjoyed their choice of music: contemporary versions of classics, except for the milonga, which was chosen by the DJ, and thus improvised. I'm sure the first two of the set of four are the Color Tango orchestra.