Many
thanks to Mike Lavocah for taking the trouble to email and correct me on the story of Troilo
and his arrangers. He writes:
'Troilo's
main arrangers in those years (1941-1944) were Argentino Galván and
the neglected Héctor María Artola. Piazzolla made only ten
arrangements back then. He was the main arranger for the band for a
time, but much later, in the early 1950s. This information and more
besides is in my book on Troilo - I worked hard to research the
contribution of the arrangers, as they were such an important part of
the Troilo story.'
I
relied (as usual) on the information on Todotango which is curiously and sadly incomplete: it says Galván
arranged for Troilo in 1940 and in 1945, and makes no mention of his
prominent part in that astonishing run of recordings between those
years.
I
wish I'd seen Mike's book, Troilo, earlier. I
got hold of it a couple of days ago. It's a great combination of
stories about the people, and insight into the music, how it was made
and played. It's researched with access to the Troilo archives in
Buenos Aires and includes a discography that mentions the arrangers
whenever possible. It's wonderful to have such an excellent and
readable account of the people and the music in English, and I can only
hope that there will be similar works on other great tango musicians.
It's a great read. 'Troilo... is loved by everybody because he loved
everybody. He extended the hand of friendship to everyone, placing
himself as the model of humanity. He is everyman, and his music
speaks to, and for, everyman.'
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